文章依据李流芳的《檀园集》并结合前人一些文献、传记、文集以及今人的研究成果,对李流芳的绘画观点进行梳理,即重师法自然、反对食古不化,不求形似、但求神韵,师古是手段、创新是目的等,文章旨在从文化层面剖析其在中国绘画史上的特殊贡献,以便于人们更清楚地了解李流芳的绘画思想。 Based on Li Liufang’s “Tan Yuanji” and combining with some previous literature, biographies and anthologies, as well as the present research results, the article sorts Li Li-fang’s viewpoint of painting, that is, Seek Shen Yun, ancient teacher is the means, innovation is the purpose, the article aims to analyze its cultural contribution from the history of Chinese painting in order to make people more clearly understand Li Liufang’s painting ideas.