从阿尔都塞到齐泽克,意识形态理论经历着从幻觉到幻象的变化,与之相应的意识形态批判也由“症候式读解”朝向“穿越幻象”而发展。作为理论的实验场,意识形态批评始终在电影文本的细读层面保持着充沛的活力,如果说“症候式读解”使电影得以发挥介入社会现实的功能,那么“穿越幻象”的存在则不但导致了批评自身的复杂,而且在此复杂中我们确知了意识形态的真相。 From Althusser to Zizek, the theory of ideology has undergone a change from hallucination to illusion, and the corresponding ideological critique has also developed from “sympathetic reading” toward “illusionary”. As the experimental field of theory, ideological criticism has always maintained a vigorous vitality in the thin reading of cinema texts. If “sympathetic readability” enables the film to play a part in the social reality, then “moving through the illusion” Not only led to the criticism of its own complexity, but in this complex we know the truth of the ideology.