论文部分内容阅读
研究 2 0世纪西方文艺理论对当代中国文论建设有何意义 ?通过对其历史脉络的把握和对流派影响的深入研究会对我们有何启发 ?这些思潮进入中国后有怎样的文化过滤和文化移植 ?这种文化的理论旅行在新世纪中国文论转型中有怎样的意义 ?这些都是必须弄清楚的。在我看来 ,研究 2 0世纪西方文艺理论的关键在于 ,在研究各种西学“主义”时 ,力求弄清其思想文化“语境” ,追问这些问题是怎么来的 ;它们仅仅是西方的问题还是人类的共同问题 ?是国家民族的本土问题还是全球性的问题 ?是现代性文论问题还是后现代性文论问题 ?这些问题的深入探索 ,将有助于新世纪中国文论批评的借鉴和自我反思 ,并对我们的文化理论策略和文学理论价值维度的确定有着积极的意义。为此 ,主持人特组织了部分博士研究生、硕士研究生对这一问题展开讨论 ,以期引起学术界对这一问题的关注
What is the significance of western literary theory to the construction of contemporary Chinese literary theory in the 20th century? How can we enlighten us through the grasp of its historical context and its in-depth study on the influences of different schools? What kind of cultural filtration and culture will these literary trends bring to China? Transplantation? What is the significance of the theoretical journey of this culture in the transformation of Chinese literary theory in the new century? All these must be clarified. In my opinion, the key to the study of Western literary theory in the 20th century is that in the study of various Western “doctrines,” it strives to clarify the “context” of its ideology and culture and ask how these problems come from; they are only western Is it a common problem of mankind? Is it a native issue or a global issue of a nation? Is it a problem of modern literary theory or a postmodernist literary theory? An in-depth exploration of these issues will be of great help in the criticism of Chinese literary criticism in the new century Reference and self-reflection, and to our cultural theory and the value of literary theory has a positive dimension. To this end, the host specially organized part of doctoral students, master students discuss this issue, with a view to arouse the academic community’s attention on this issue