都市在穆时英笔下成为独立的审美客体。穆时英的小说描写的是单身男性的社交社会，都市女性于其中占据了突出的地位，她们具有多层面的象征意义。本文试图从这两个角度勾勒穆时英小说的审美主体画像。逃离与奔向这种二元悖逆的因素构成了审美主体的主要精神特征 The city became an independent aesthetic object in the time of Mu Shi Ying. Mu Shiying’s novels portray the single male social society, in which urban women occupy a prominent position, they have a multi-level symbolic meaning. This article attempts to outline the main portraits of Mu Shiying’s novels from these two perspectives. The factors of escaping and running toward this dualistic rebellion constitute the main spiritual features of the aesthetic subject