有一种说法,搞演奏艺术的人,40岁的水平将代表着他一生的最高水准,随之而来的即是走下坡路。作为一名已踏入不惑之年的专业音乐工作者,我在演出、教学、研究之余,忙里偷闲爬爬格子,因此,常常是左支右绌、顾此失彼。以往的每日技巧练习时间势必大打折扣,唯一能使我延长演奏生涯的是音阶琶音练习。虽然在我的琴房谱架上煞有介事地摆着维克·布龙斯的技巧练习曲、K·比汪卡的 There is a saying that people who play art, the 40-year-old level will represent the highest level of his life, followed by the decline. As a professional musician who has entered the age of perplexity, I spent my spare time playing games in the fields of performance, teaching and research. The past daily skills training time is bound to be greatly reduced, the only way to extend my playing career is the scale Arpeggio practice. Although in my piano music cleverly placed on the house clever Victor Bourong Si practice Etude, K Bika