这些戏是从井上厦为“笑剧三重奏”剧组写的微型笑剧集里选择出来的。作者在这里展开的戏剧世界是继承了日本中世纪时期狂言的短小而滑稽的基本性格。其实,这种戏剧形式,在东西方的戏剧发展过程中都出现过。例如在印度尼西亚东部爪哇的泗水一带,受到民众热烈欢迎的滑稽戏,就是其中之一。同样十六世纪的意大利喜剧;日本的天正时期的流动狂言以及在歌舞伎剧之前的猿若滑稽戏,都具有共同的特点。 These plays were selected from miniature mime episodes written by Inoue Maki for the “Mime Trio”. The drama world that the author started here is the short and funny basic character that inherited the kudos from the Japanese Middle Ages. Actually, this form of drama has appeared in the development of the theater both in the East and the West. One such example is the comic drama popular among the public, such as in Surabaya, in eastern Java, Indonesia. The same sixteenth-century Italian comedy; Japan's Tenjin mobile romance and the apes before the kabuki drama if the comic, have the same characteristics.