拍电影,很多部分是劳力,不是脑力。德国大导演荷索,曾经用力把一艘油轮拉到一座山的山顶上,拍成了《费兹卡拉多》。日本大导演黑泽明拍《乱》的时候,戏里所有古代大将军的内衣裤,都要比照博物馆里真的古物,一件一件手工缝好,给演员穿。电影界的神经病绝对很多,不过反正大家都很神经,不必互相拆穿。我进UCLA电影所以后,才算开始了我的劳力生活。灯光课上搬大灯确实很吃力, Film, many parts are labor, not mental. Germany’s big director Joseo, once forced to pull a tanker to the top of a mountain, made into “Fisz Calado.” When Japan’s big director Kurosawa made the “chaos”, the underwear of all the ancient generals in the play should be compared with the real antiquities in the museum, hand-stitched one by one, and put on the actors. The film industry is definitely a lot of neuropathy, but anyway, everyone is nervous and does not have to go through each other. After I entered the UCLA movie, I started my labor life. Moving lights headlight class is really very difficult,