经历新世纪头一个十年的迷茫、探索、磨合和积累之后,2011年以票房“黑马”之姿出现的《失恋33天》和《将爱情进行到底》被认为开启了中国电影的新时代。紧随其后一系列票房表现良好的中小成本影片中,都市爱情片体现出前所未有的优势。甚至从2011年开始的高投入产出比的国产中小成本影片中,都市爱情片占了近一半的比重。(1)值得注意的是,这类爱情故事的叙事将摄影机更多专注于演员的面孔妆容、时尚服饰、性感身体还有语言风格,观众因此更为集中 After the confusion, exploration, break-in and accumulation of the first decade of the new century, the “33 days of romance” and “Carrying out love in the end” in 2011 at the box office “Black Horse ” are considered to have opened up new Chinese films era. Followed by a series of box office performance of small and medium-sized cost-effective films, urban love films show an unprecedented advantage. Even from mid-to-small-budget domestic HDI films starting in 2011, urban romance accounts for nearly half of the total. (1) It is worth noting that the narrative of such love stories focuses the camera more on the performer’s face makeup, fashion clothing, sexy body and language style, thus making the audience more focused