花譜,花譜,艷絕秦宫歌舞。幾多玉暖香温,惹得游人斷魂。魂斷,魂斷,紙上呼來如見。[清同治]羊城聽春樓主《調笑令》二十世紀的學者在研究清代戲曲評論著作一一尤其是京劇在北京的強勁崛起之後的戲曲論著時,往往都要面對一個尷尬:清代的戲曲論著很不能說是少,至少是比曲論相當繁榮的明代在數量上多出許多,但是讓學者頭疼的是,其內容跟明代士人之熱衷於考字論調,校聲度曲的興趣卻很不一樣,往往很難準確地把它們定義為戲曲論 Flowers, flowers, Yan absolutely Qin palace dance. How many warm jade incense, provoked tourists break soul. Broken soul, broken soul, paper, come see. [Qing Tongzhi] Yangcheng listen to the spring landlord “teasing order” Twentieth century scholars in the study of the Qing Dynasty opera commentary - especially Peking opera in Beijing after the rise of opera theory, often have to face an awkward: The Qing opera drama can not be said to be less, at least a lot more than the number of the Ming Dynasty is more prosperous, but the scholarly headache is that its content with the Ming Dynasty scholars are keen on the test argument, school sound Qu’s interest is very different, it is often difficult to accurately define them as opera theory