宋代花鸟画经过隋唐和五代后发展更为成熟,其作品主要体现在大部分出自宫廷画家之手的院体画。这些宫廷画家都是经过画院严格选拔,受过正规系统训练的画家。虽然处于宫廷画院,受“黄家富贵”的影响,但是从传世的作品分析,除了技法受黄筌的影响以外,本质的传达仍然是平民化的,从某种意义上说宋代宫廷画风表面是“黄家富贵”。 After the Sui and Tang dynasties and the Five Dynasties, the flower and bird paintings in Song Dynasty developed more maturely. Their works are mainly embodied in the body paintings of most court painters. These court painters are painters who have been rigorously selected by the academy and trained in formal systems. Although in the court art academy, influenced by “Huang Jia Fugui ”, but from the analysis of the handed down works, in addition to the influence of Huangpi, the essence is still conveyed by the common people. In a sense, The surface of the wind is “yellow rich ”.