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面具在戏剧表现当中,是最古老的表现手法之一,在古今中外的戏剧文化当中都占有重要地位。基于此,本文以傩祭与傩戏、《兰陵王》为例,对面具在传统戏剧造成中的应用进行了探讨,并进一步以话剧《秀才与刽子手》、《狂奔的蜗牛》、剧作家路易吉·皮兰德娄的戏剧为例,对面具在现代戏剧中的应用与艺术价值进行了简要分析。
Mask in the performance of the drama is one of the oldest expressions, both in ancient and modern drama culture occupy an important position. Based on this, this paper discusses the application of masks in the traditional drama due to the sacrificial offering and Nuo opera, “Lan Ling Wang” as an example, and further explores the application of masks in the drama “scholar and executioner”, “running snail” Luigi Pirandeluo drama as an example, a brief analysis of the application of masks in modern drama and artistic value.