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作为新写实小说的奠基之作,方方的《风景》通过描述汉口“河南棚子”一家十一口各自不同的生命形式及其穷困、混乱、麻木、粗俗的物质及精神困境,真实地再现了城市底层人民的物质困顿和人性挣扎。在艺术形式上,作品巧妙运用反讽形成幽默的语言风格,不动声色地将表面的喜剧性置入深层的悲剧感中,更显其悲。
As a cornerstone of the new realistic novels, Fangfang’s “Scenery” truly describes the life forms of the Hankou “Henan Shed ” and the eleven individual portraits and their destitute, confused, numb and vulgar material and spiritual dilemmas Reproduce the material difficulties and struggles of human nature of the urban people at the bottom. In the artistic form, the works clever use of irony to form a humorous language style, quietly the superficial comic into a deep sense of tragedy, even more sad.