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变体画创作在美术史上是常见的学习、借鉴和创造的一种手段,它既包含对前人经典或成功作品的临仿,也包含对自己相似题材和构图作品的不断探究。不管是哪种形式的变体,其目的都是为了艺术探索,是画家实验过程和求索精神的体现。在中外艺术史中,变体画的例子是很多的。如意大利文艺复兴早期画家保罗·乌切罗为了研究透视法,就画过三幅《圣罗马诺之战》。提香的《忏悔的抹大拉》和《丹娜依》、
Variant painting is a common learning, drawing and creating method in the history of art. It includes both the imitation of the classic or successful works of the predecessors and the constant exploration of similar themes and compositions. No matter what form of variation, the purpose is to explore the art, is the embodiment of the artist’s experimental process and spirit of seeking. In Chinese and foreign art history, there are many examples of variant paintings. For example, in the early days of the Italian Renaissance, Paul Uchero drew three “Battle of San Romano” in order to study the method of perspective. Titian’s “Penance of Mary Magdalene” and “Dana according to”