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引言20世纪40年代初,中国戏剧界一大批著名剧作家、舞台导演以及一线演员逃离被日军占领的京、沪两座文化中心城市,聚集到抗日民族统一战线大本营——西南重镇重庆。人才八方汇聚,加上思想的相对自由,故导致了陪都重庆以舞台戏剧为主的文艺热潮盛况空前。直至抗战结束,多达50多个大小剧团、剧社在这里上演了100多出剧目,其中最为轰动和影响亦颇深远的,当属郭沫若的历史剧《屈原》和吴祖光的话剧《风雪夜归人》
Introduction In the early 1940s, a large number of well-known dramatists, stage directors and first-line actors in the Chinese theater industry escaped from the capital cities of Beijing and Shanghai occupied by the Japanese army and gathered in Chongqing, the southwestern center of the anti-Japanese national united front headquarters. The convergence of talented people and the relative freedom of thinking led to an unprecedented boom in literary and artistic boom mainly based on stage drama in Chongqing. Up to the end of the war, as many as 50 large and small troupes, drama club staged more than 100 repertoire, where the most sensational and far-reaching influence, it is Guo Moruo’s historical play “Qu Yuan” and Wu Zu Guang’s drama “Snowy night people”