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上海解放后,我在中福会第三儿童福利站,于年底参军,一直从事美术宣传。1953年被调往北京某部一军事理论刊物任美术编辑。平时喜欢进京城淘淘旧书。一个很偶然的机会,在隆福寺淘到了郑昶(午昌)名著《中国画学全书》(中华书局1929年5月初版)。此书在论及画家时按照“逝者留传时贤留名”的原则,最后的时贤是“瞿圆初,武进,山水”。郑昶的画史就是以瞿圆初结束全书,因此印象很深刻,但是浑不知他是瞿秋白的父亲。1958年3月,我被投入十万转复官兵赴北大荒屯垦戍边。五
After the liberation of Shanghai, I joined the army at the end of the Third Welfare Station of the Chinese Welfare Society and has been engaged in art propaganda. In 1953, he was transferred to a military theory in Beijing as an art editor. Usually like to enter the capital Tao Tao old books. A very fortunate chance at Amoy Foshang Amoy to Zheng Chang (no Chang) masterpiece “Chinese Painting Study” (Chung Hua Book Company 1929 May first edition). The book in dealing with the painter in accordance with “the deceased left behind when the virtuous name” principle, the last sage is “Qu Yuan early, Wu Jin, landscape ”. Zheng Chang’s painting history is based on Qu Yuan Chu concluded the book, so impressed, but I do not know muddy Qu Qiubai’s father. March 1958, I was put into the Hundreds of thousands of troops transferred to the northern great wasteland reclamation guard. Fives