法国文学理论批评家莫里斯·布朗肖说:“只有当作品成为写作着的某人与阅读作品的某人之间发生某种开放着的亲密性,作品才存在为一个事件。”仅仅作者写出作品,并不意味着作品的诞生,如果没有读者的出场,那么作品只不过是一些无意义的语词的堆积而已,只有当作者与读者存在着某种“开放着的亲密性”互动,作品才成为一个真正的“有意义事件”。在布朗肖看来,作品是无限的,是朝向作者和读者的开放空间。如果说 Critic Maurice Blissau, a French literary theory critic, said: “Only when there is some kind of openness in intimacy between a person who is writing and a person who reads the work, does the work exist as an event.” The author’s writing does not mean the birth of the work. Without the appearance of the reader, the work is nothing more than the accumulation of meaningless words. Only when the author and the reader have some kind of “open intimacy ”Interaction, the work becomes a real “ meaningful event ”. In Brown’s view, the work is infinite and open to the writer and the reader. If