中国画散点透视是独立于世界绘画艺术之林的最古老的绘画表现手法,其历史渊源、方法和理论,在我国古今画坛已有大量文献论述,其人文社会科学含量也多有论及,但是对其与自然科学的关系尚缺乏系统性研究。近、现代以来,有不少赴西归来的画家,受西方对中国画的偏见的影响,下意识地用西画的科学性抹杀中国画固有的科学含量,特别是对中国画散点透视固有的科学性缺乏认识,而且有画家对其术语命名提出过质疑,致使散点透视原理至今尚未提高到综合科学原理的高度。实际上散点透视与自然科学的关系非常密切。在科学技术 Scattered perspective of Chinese painting is the oldest representation of painting independently of the world’s art of painting. Its historical origins, methods and theories have been extensively discussed in ancient and modern Chinese painting circles, and its content in the humanities and social sciences is also discussed in more detail. However, There is still no systematic research on its relationship with the natural sciences. Since modern times, quite a few painters returning from the west have been subconsciously denied the scientific content inherent in Chinese painting by the scientific nature of Western painting, especially the lack of scientific understanding inherent in the scattered perspectives of Chinese painting. , But some artists have questioned their nomenclature. As a result, the principle of scattered perspective has not yet been raised to the level of the comprehensive science principle. In fact, scattered perspective and the relationship between science is very close. In science and technology