《纪念碑》是加拿大著名剧作家考林·魏格纳的代表作品,该剧由吴朱红翻译,著名导演查明哲执导,在北京人民艺术剧院小剧场与中国观众见面。本文试图运用二元对立的相关理论,解读戏剧《纪念碑》中主题的对立统一、人物的对立统一以及象征的对立统一,并探究这些具有鲜明特点的二元对立项在整部剧中的重要作用。 The monument is the representative work of Canadian famous playwright Cologne Wegner. The play was translated by Wu Zhuhong and directed by famous director Zha Mingzhe and met with Chinese audiences in the small theater of Beijing People’s Art Theater. This paper tries to use the related theory of binary opposition to interpret the unity of opposites, the unity of opposites, the unity of opposites and the unity of symbols in the monuments of the theater and explore the important role played by these dual distinctions in the drama .