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姚新峰的画强调幽情雅趣,莲、鱼、瓶、花……这些古典味道很浓的事物构成了他的绘画要素,而他对这些绘画要素的处理则是以和谐、静霭、清雅为美学核心的,他的面渗透着“优美”的风致、“轻灵”的情韵。姚新峰正是以此抵抗着那种所谓的“现代性”对中国绘画的侵袭,在美学上坚持一种温和的浪漫主义的思路,对我们这个以焦虑、对立、不安……为情绪基调的艺术时代构成了某种补充。我们需要这样的绘画:它让我们回到梦幻般的水乡,回到记忆中的童年,回到对美好事物的直观和想象中,它恢复了我们
Yao Xinfeng’s painting emphasizes the amorous taste, lotus, fish, bottle, flower ... These classic taste very thick things constitute his painting elements, and his treatment of these elements of painting is based on harmony, quiet haze, elegant as the core of aesthetics His face permeated with “graceful” style, “Brisk” emotion. It is precisely because of this resistance against the so-called “modernity” attack on Chinese painting by Yao Xinfeng that he insists on a mildly romantic approach to aesthetics and expresses his appreciation for the art of mood, anxiety, antagonism and anxiety ... The times constitute some kind of supplement. We need a painting that takes us back to fantastic water, returns to childhood in memory, returns to the visual and imagination of good things and restores us