1673年2月10日《无病呻吟》首演于王宫剧院,第四场演出中,莫里哀在最后一幕咳血被抬下了舞台,当晚与世长辞。几年前,米歇尔·蒂迪姆因病入院,在病榻中研读莫里哀的《无病呻吟》,深受打动和启发。于是,他决定将这部17世纪的经典重新搬上舞台,让剧中主人公阿尔冈这个似病非病的“医生”来“医治”这似病非病的众生和世界。在《无病呻吟》来沪演出之际,导演米歇尔·蒂迪姆与我们分享了他对莫里哀、对排演《无 February 10, 1673 “groan groan” debut at the Royal Palace Theater, the fourth show, Moliere in the final act of hemoptysis was lifted off the stage, died the same night. A few years ago, Michelle Tidimm was hospitalized and was deeply impressed and inspired by studying Molière’s “groanlessness” in his bed. So he decided to put this 17th century classic back onto the stage, so that the protagonist of the play Algon disease - like “doctor” to “cure ” the sick non - sick beings and the world. In the “groanless” Shanghai performances on the occasion, the director Michelle Tijimu to share with us on Moliere, on the rehearsal of "no