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古典作品传统创作方法与电视剧审美特征中国小说、戏曲创作长期以来形成了一套自成体系非常完整的叙事表现手法,怎样借鉴吸取古典传统创作经验来丰富古典题材电视剧的表现力,强化这类题材电视剧的中国特色和审美特征,是一个不容忽视的课题,电视剧《三国》在这方面暴露出来的问题尤当引起重视。首先,文似看山不喜平,戏剧创作更是如此,孔尚任在《桃花扇凡例》里面说:“排场有起伏转折,俱独辟境界;突如而来,倏然而去”小说《三国演义》叙事手法
Traditional Creation Methods of Classical Works and Aesthetic Features of TV Dramas Chinese fiction and drama creation have for a long time formed a set of very complete narrative techniques of self-contained system. How to draw lessons from the classical tradition to enrich the expression of classic dramas, The Chinese characteristics and aesthetic characteristics of the drama are an issue that can not be ignored. The issues exposed by the “Three Kingdoms” of the TV series in this respect should be especially emphasized. First of all, Wen seems to see the mountains do not like flat, even more so dramatic writing, Kong Shang Ren in the “peach fan example,” which said: “There are ups and downs turning point, all with the state; sudden, and then go” novel “Romance of the Three Kingdoms” narrative Tactics