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在中國古代書法鑒藏史上,祝允明書法的鑒定一直是困擾收藏家與研究者的大難題。之所以説其難,不僅因爲祝氏書作真僞混雜,使收藏家莫衷一是,也因爲由此産生的疑案甚多,研究者中亦聚訟紛紜。有鑒于此,本文本着去僞存真、正本清源的目的,以筆迹學的理論爲支援,在系統梳理祝允明存世書法作品的基礎上,建立了存世祝允明書法中真品與僞作的兩個標準件系列,從而爲祝允明書法真僞的鑒定及相關研究樹立一個行之有效的標本系統。
In the history of ancient Chinese calligraphy collection, Zhu Yunming calligraphy identification has been troubled collectors and researchers in the big problem. The reason why the difficulty, not only because of the authenticity of false books mixed, so inconsistent collectors, but also because of the resulting large number of suspects, the researchers also have different suit. In view of this, on the basis of systematically sorting out Zhu Yu-ming’s surviving calligraphic works based on the purpose of eliminating falsehoods and purifying the originals, and based on the theory of strokewriting, this essay establishes the two standards of authenticity and fake works Pieces of series, so as to wish Yuming Ming authentic identification and related research to establish an effective specimen system.