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张岱(1597-1679)号陶庵,明末文学家,浙江山阴(今浙江绍兴市)人。明末清初,天柱既倒,四维已裂,一些不事贰臣的艺术家失去了庙堂的庇护和政治上的诉求,退隐山野、江湖,真正地回到了内心,回到了自身,艺术史上也因此出现了一些真正的大师级人物。在文字上张岱算得上是一位小品文的大家。明清的“性灵派”散文,张岱是最真的一个,这个人的散文有真性情、真灵性在。张岱的文字至情至性,和“道统”无关,在明季的
Zhang Dai (1597-1679) Tao Um, Ming Dynasty writer, Zhejiang Shanyin (now Zhejiang Shaoxing City) people. In the late Ming and early Qing dynasty, Tianzhu was both collapsed and four-dimensional was cracked. Some artists who did not perform their duties had lost their asylum and political demands in the temples. They returned their hearts and returned to their hearts and returned to themselves in art history So there have been some real master figures. In the text Zhang Dai is considered a small article everyone. Ming and Qing Dynasties “Spirit School ” essay, Zhang Dai is the most real one, this person’s essay has true nature, true spirit in. Zhang Dai’s character is extreme, and “Daoist ” has nothing to do in the season