论文部分内容阅读
虚实好比太极图的阴阳鱼一样,黑中有白,白中有黑,是画面之上不可分离的一体之两面。虚实关系在中国画中表现为神韵,其主要体现在画外意境,体现画家的精神世界与内心感受。画中虚实关系处理的巧妙,可以创造和加强画面形势构成之起伏跌宕,大至山川林莽丘壑湖海,小至细草、沙渚、烟霭、幽采,乃至画中一笔一墨之处理,整体形势状貌之布置,甚至提款与跋,用印之长短多少、大小轻重,无处不因虚实相反相成而极其趣。
The actual situation is similar to that of the yin-yang fish in the tai chi chart. There is white in the black and black in the white, which are two sides of the inseparable one above the picture. The relationship between the real and the real is manifested in the Chinese painting as the charm, which is mainly reflected in the artistic mood outside the painting, reflecting the artist’s spiritual world and inner feelings. The cleverness of the relationship between the actual situation and the actual situation in the painting can create and enhance ups and downs of the composition of the picture. They are as large as the hills and lakes and mountains, the small grassland, the sand, the mist, , The layout of the overall situation and appearance, and even withdrawals and postscripts, printed with the length of the number of large and small, everywhere because of the opposite reality and extremely interesting.