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今天回过头米要看作品与个人的关系,我依然觉得人的-陛情”是它们唯的根基。由于“陛情”是一种时时需要去加以培植的东西,那么静心与惴悟即成这培植的内容。如此作品与个几的关系,潜在地包涵着人的生活方式以及这种力式所导致的文化态度。我觉得这样的文化态度在结构r足松散而静泊的,存观念l二是诗化与暖昧的,住恩辩上是自:觉而非逻辑的。凡此利一种构成厂我个人的创作情结。
Today, looking back at rice depends on the relationship between works and individuals, I still think that people - the “majestic” is their only foundation. “Pilgrim” is a need to be cultivated from time to time, then meditation and awareness What we cultivate is the relationship between this work and the potential inclusion of human lifestyles and the cultural attitudes that such forces lead to. I think that such a cultural attitude is loose and static in the structure. Second, poetic and ambiguous, live in contention is from: the sense of non-logical .And this constitutes a profit plant my personal creative complex.