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本文考订理清了一组郭沫若致《宇宙风》信函的头绪,从中可以看到郭沫若与《宇宙风》及林语堂之间发生关系的来龙去脉。在1930年代文坛关于小品文的论争中,林语堂被置于左翼作家的对立面,但郭沫若可以与《宇宙风》和林语堂合作、共处,虽然经历了一番曲折;而林语堂也并非是那“将屠夫的凶残,使大家化为一笑”者,不然,《宇宙风》何以会刊载记述北伐革命的文字。这是值得文学史去思考和记取的。
This essay examines and clarifies the clues of a set of Guo Moruo letters to the “cosmic style” letter, from which we can see the ins and outs of the relationship between Guo Moruo and “cosmic style” and Lin Yutang. In the controversy about the essay in the 1930s, Lin Yutang was placed opposite to the left-wing writers. However, Guo Moruo, in cooperation with the “cosmic style” and Lin Yutang, lived through twists and turns and Lin Yutang was not “ Of the brutal, so that everyone smiled, ”or else,“ Universal Wind ”will be published in the text describing the revolution in the Northern Expedition. It is worth the history of literature to think and remember.