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民国时期戏剧家创作民族新歌剧的方式就是如何从西洋歌剧、戏曲、话剧乃至民歌等艺术那里汲取营养,他们或模仿、或改造某一种戏剧,或综合两种乃至三种戏剧进行创作。民国新歌剧创作方式处于变动中:20年代是以改造戏曲为主;30年代创作方式开始多样化,戏曲、西洋歌剧和话剧都得到了单独或综合运用;40年代,以模仿西洋歌剧和综合多种艺术形式的两种方式为主,并形成了两派,以《秋子》和《白毛女》为各自代表。
In the period of the Republic of China, dramatists created new national operas by drawing lessons from the operas of opera, drama, drama and folk songs. They either imitated or adapted a certain kind of drama or synthesized two or even three kinds of dramas. In the period of the Republic of China, the way of creation of new operas is undergoing changes: in the 1920s, the opera was mainly reformed; in the 1930s, the ways of creation began to diversify, and opera, operettas and dramas were individually or comprehensively used; in the 1940s, imitating Western operas and synthesizing more The two forms of art forms are mainly dominated and formed two schools, with “Akiko” and “White-Haired Girl” as their respective representatives.