“玩偶家庭”被介紹到中国以后,“娜拉出走”的問題曾經是我們許許多多文章和座談的題目。这可以說明挪威大戏剧家易卜生的著作在中国引起的反响有多么广大深远。自从五四运动以后,易卜生的一些“社会問題剧”被陆續介紹到中国來,各地剧团和学校曾經不止一次地排演了“玩偶家庭”、“人民公敌”、“群鬼”、“野鴨”等等。在这些现实主义的作品里,易卜生大声疾呼地提出了一系列的社会問題,如在資本主义制度下妇女如何亟待解放、婚姻制度如何不合理、“社会栋梁”们如何伪善……。他無情地揭露 After the introduction of Doll’s Family into China, the issue of “Nora’s departure” was once the subject of many articles and discussions. This shows how far the reaction of the Norwegian dramatist Ibsen’s writings in China is vast and profound. Since the May 4th Movement, some of Ibsen’s “social issues plays” have been introduced to China one after another. Local theater companies and schools have rehearsed “Doll’s Family,” “People’s Enemies,” “Ghosts,” “ Mallard ”and so on. In these realist works, Ibsen loudly raised a series of social issues, such as how women are urgently to be liberated under the capitalist system, how the marriage system is unreasonable, and how “social pillars” hypocritically .... He exposed mercilessly