普契尼歌剧《图兰多》(Turandot,1924)使中国公主图兰多成为世界舞台的经典形象。魏明伦依照歌剧脚本将之改编为川剧搬上中国戏剧舞台。但是无论图兰多还是被置换到中国文化语境里的杜兰朵,人物形象都不免被符号化,简单化,这是父权话语下女性失语症的又一例证,其西方童话或东方传奇般的故事结局则是父权话语规范其象征秩序的又一表征。——作者题记 Puccini’s opera “Turandot” (1924) made the Chinese princess Turandot a classic image on the world stage. Wei Minglun according to the opera script will be adapted for the Sichuan drama onto the stage of the Chinese drama. But no matter Turandot is still being replaced into the Chinese cultural context in Durant, characters are inevitably be symbolized and simplified, which is another example of female aphasia under patriarchal discourse, the Western fairy tale or the East The ending of the story is another characterization of the symbolic order of patriarchal discourse. - Author inscription