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劳尔·鲁伊斯的新片《复得的时间》——它以马塞尔·普鲁斯特《追忆似水年华》末卷为蓝本,是普鲁斯特热中绝无仅有的最新佳作。在本世纪,普鲁斯特大半时间都与我们相伴。那些常常讨论普鲁斯特的学院派和半通不通的冒牌货,急于想掩饰如下的事实:他们是凭借七卷本巨著的卷三(《盖尔芒特家那边》)这一钩环,从空中降落中间地带的,然而,只是在最近二、三年,这一杰作才成为策划者的新宠,它那沉甸甸的分量足令新一代读者敬畏参半。去年,广告代理艺人斯蒂芬妮·修伊特将《追忆似水年华》改编成了法国畅销连环漫画。《费加罗报》尖叫着“马赛尔被暗杀”。可谓不鸣则已,一鸣惊人。有史以来最大的普鲁斯特的展览在巴黎举行:哈罗德·品特创作了一部改编自《追忆似水年华》的剧本,翌年上演于国家剧院:英国广播公司二台(BBC2)正在拍摄一部以阿兰·德
Raul Ruiz’s new film, “The Time Recovered,” modeled on Marcel Proust’s Last Remembrance, is the latest and only masterpiece in Proust’s heat. In this century, Proust spent most of our time with us. Those who often talk about Proust and the foolproof hypotheticals eager to hide the fact that they rely on the hook of the seven-volume masterpiece (“The Gailman’s House”) However, it was only in the last two or three years that this masterpiece has become the new darling of the planners, and its heavy weight will make a new generation of readers awe. Last year, advertising agency artist Stephanie Fixt adapted Remembrance Show to France’s best selling comic strip. “Le Figaro” screamed “Marcel was assassinated.” Can not be said to have Ming, blockbuster. The largest exhibition of Proust’s ever to be held in Paris: Harold Pinter created a playbook adapted from The Remembrance of Time, to be staged the following year at the National Theater: BBC 2 (BBC 2) Shooting a Alan de