论文部分内容阅读
走过了近百年的沉浮,香港电影迎来了新千年的复苏。在众多的类型中,小制作的喜剧和警匪片成为市场的主导。就港产警匪片而言,一方面,《雷霆战警》、《赤裸特工》、《夕阳天使》等或成或败的大制作让香港电影与国际潮流接轨。另一方面,一大批新生代的电影人开始崭露头角,带给观众耳目一新的视听感受。与前辈们过于注重动作场面渲染不同,这些新生代警匪片导演将关注的焦点转向了如何使剧本创作更加精巧、如何透视人物的心理及精神层面等因素。
After nearly a century of ups and downs, the Hong Kong movie ushered in the recovery of the new millennium. Among the many genres, small comedies and gangster films dominate the market. On the one hand, “Thunderbolt”, “Naked Agent”, “Sunset Angel” and other major productions made or lost make Hong Kong films and international trends. On the other hand, a large number of new-generation filmmakers began to emerge, bringing the audience refreshing audio-visual experience. Unlike predecessors who pay too much attention to action scenes, these new generation gangster film directors shift their focus to how to make the script more elaborate and how to see the psychological and spiritual aspects of the characters.