一、关于黑白黑白木刻版画在我国是具有深远历史和优秀传承的艺术门类,也是造型艺术中工具性、表现性较强的画种。由于刀刻木的局限性,使黑白木刻不能象油画那样自由运用层层覆盖的画法,也不能象中国画那样,进行多次点、染、皴、擦的描绘。这种局限性使黑白木刻版画不容易达到逼真再现的具象效果,所以应在表现力量和气势中发挥其特长,正因为工具材料的局限性也使得黑白木刻更直接和纯粹。而黑白木刻自由挥洒的刀痕使画面更具有金石味和写意性。黑白木刻版画作为造型艺术的一种,造型独特,画面简洁醒目,语言只有黑白和相对的灰,工具材料也相对简单。我们知道 First, on the black and white woodblock print in China is a far-reaching history and outstanding heritage of art categories, but also the modeling art of instrumental, expressive paintings. Due to the limitation of knife-cutting wood, black-and-white woodcut can not be used freely as the painting covered by layers of painting, nor can it be painted as many points, dyed, polished and rubbed as Chinese paintings do. This limitation makes the black and white woodcut engraving difficult to achieve the vivid reproduction of the concrete effect, it should be in the expression of strength and momentum to play its specialty, because of the tool material limitations also makes black and white woodcut more direct and pure. The black and white wood knife sway free to make the picture more stone flavor and freehand. Black and white woodcut print as a kind of modeling art, unique shape, simple and eye-catching images, the language is only black and white and gray relative, tool material is relatively simple. we know