当代艺术的主体已经包含了它的政治维度,即当代艺术对于现有秩序的不信任。在这里我们能够捕捉到当代艺术的基本属性——对现存的不满与反抗,但这一基本欲望陷入了一种制度化的危机,即我们在反抗的行为中发现了某种褶子,一种“自我命名”的困境。我们似乎不反抗我们自己——即我们自己被体制化的那部分,包括我们习惯的反抗姿态,也不反抗我们已有的知识、技术、习惯性口号。我们成为了反抗的主人,我们占据了反抗 The main body of contemporary art already contains its political dimension, that is, contemporary art does not trust the existing order. Here we can capture the basic attributes of contemporary art - dissatisfaction and resistance to the existing ones. However, this basic desire is caught in an institutionalized crisis in which we find some kind of folds in the act of rebellion, Dilemma of “self-naming”. It seems that we do not resist ourselves - the part we ourselves have been institutionalized, including our habitual rebellion, nor the intellectual, technical, and customary slogans that we already have. We became the masters of the rebellion, and we took the rebellion