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本文详述了郑文焯的词学活动,及其词学活动对其词学思想的影响。在此基础上,笔者着重从词表、词心、词骨三个方面分析了郑文焯的清空词学思想的深刻内涵,阐明词要清空先尽词表之能事、次则词意要含韵外之旨,同时还要熔炼出高健的骨气。郑文焯的清空词学思想深受常州词派的影响,并带有郑氏个人治词的风格。表现在他的创作中则是将家国之痛、身世之感寓于词中,而出之以蕴藉高健的词笔,浑涵沉郁、莫可指实而自高古感人。从而进一步证实了郑文焯词学在晚清词坛重要的价值和意义。
This article details Zheng Wenzhuo’s Ci-poetry activities and the influence of Ci-poetry activities on Ci-Ci ideology. On this basis, the author analyzes Zheng Wenzhuo’s profound connotation of clear-up Ci-Ci theory from three aspects: vocabulary, Ci-Hsuan and Ci-Biao, clarifying the ability of Ci The purpose of the outside, but also smelt out of Jian Jian’s integrity. Zheng Wenzhao’s concept of emptiness and Ci-poetry is deeply influenced by the Changzhou school of poetry and carries the style of Zheng’s personal treatment. In his works, he paints the pain of his own country and lives in the world, and his words are enriched by Gao Jian. This further confirms the significant value and significance of Zheng Wenzhuo Ci-Ci in the late Qing dynasty.