论文部分内容阅读
中国汉唐书论中常以物象类比书法。通过具体的物象表现书法中抽象的审美形态,类比作品风格,使书法的形式和审美与人及其生存环境的内在感情融汇。所用物象主要有动物、植物、自然景物及自然意义上的人和与人相关的事物四类。南北朝以前,书论普遍以自然界中具体物象作比。南北朝以后,书论则以自然意义上人的形态或活动作比,侧重于论述作品风格,虽存在以自然界具体物象作比,但多为沿用前人之说。隋唐时期物象类比方式呈现多元化特征。
Chinese calligraphy in the Han and Tang Dynasties often use analogy with calligraphy. The abstract aesthetic form and the style of analogy in calligraphy are expressed through concrete objects, which make the form of calligraphy and the inner feelings of people and their living environment converge. The objects used are mainly animals, plants, natural scenery and people in the natural sense and people related things four categories. Before the Northern and Southern Dynasties, Book Theory generally compared with the specific objects in nature. After the Northern and Southern Dynasties, the book theory compared with the human form or activity in the natural sense, focusing on the style of the works. Though there are specific objects in nature, they are mostly used by predecessors. The image analogy in the Sui and Tang dynasties showed diversified features.