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关于《三国演义》在艺术上的成败,一直是个值得争论而又未能展开相应规模争论的学术问题.认真读过《三国演义》的读者,如果具有独立艺术欣赏力的,一定会觉得困惑不解,在这本号称经典的文学名著中,充斥着那么多跑龙套式的人物,许多人物只是像影子一样一晃而过,在几句平淡的叙述中,还没有来得及给读者留下任何印象,就再也不见了.按写小说的起码要求(这样的人物在《三国演义》中为数在百个以上)本是可有可无的,理应删去,然而罗贯中舍不得,这就产生了一个现象,《三国》中没有生命的人物比之《水浒》中之顺便带过(以凑
The success or failure of the “Romance of the Three Kingdoms” has always been a controversial academic issue that can not be debated on a corresponding scale and serious reading of the readers of The Romance of Three Kingdoms must have confused if independent artistic appreciation does not exist Solution, known in this classic literary classics, filled with so many runaways of characters, many people just like a shadow flicker, in a few dull narrative, have not had time to impress readers No longer .According to the minimum requirements of writing novels (such characters in the “Romance of the Three Kingdoms” in the hundreds or more) is dispensable, it should be deleted, but Luo Guan reluctantly, which led to a phenomenon, “Life” in the “Three Kingdoms” than the “Water Margin” in the way with the incident (to scrape together