摄影专业出身的宋元元对图像有着不一般的敏感,那些意义明显的照片(通常是新闻摄影或商业图片)被他排除了,那些非常“摄影美学”的照片也不是他的选择,他最终选择的是那些数码相机自动设置档位下随便拍的..所谓平庸的图片,用罗兰·巴特的话说,就是既没有“知面”(studium)又没有“刺点”(punctum),换句话说,既没有语言符号性也没有视觉异质性的照片,而当这些照片被宋元元转换成绘画的时候,原本平庸中却出现了刺点。那些摄影中司空见惯的东西,如光斑、雾点,在绘画中却转换成了需要加以正式对待的因素..确实,宋元元画得越来越放松了,他的笔触越来越果断,结 The photographic-derived Song and Yuan Dynasties were unusually sensitive to images. Those significant photographs (usually photojournalism or commercial images) were excluded by him. Those photos that were very “photographic aesthetics” were not his choice either, and he eventually The ones that are chosen are the ones that the digital camera automatically sets the gear to shoot at will. The so-called mediocre picture, in the words of Roland Barthes, is neither the “studium” nor the “punctum” In other words, there are neither pictures of language nor visual heterogeneity, but when these pictures were converted into paintings by the Song and Yuan Dynasties, the original point of mediocrity appeared. Things commonplace in photography, such as light spots and fog spots, have been transformed into factors that need to be formally treated in the paintings. Indeed, the Song and Yuan paintings have become more and more relaxed and their strokes become more decisive and knotty