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关羽在民间是广受欢迎的武圣帝君,其地位自魏晋隋唐至宋元明清是一个渐进的过程,这一过程同时也是宗教美术不断世俗化的过程,也可以说关羽地位的提高是宗教文化与世俗文化相融合的反映。水陆画中的关羽像是这种现象的珍贵形象素材,值得我们深入研究和保护。
Guan Yu is popular in the folk Wudi Dijun, its status from the Wei, Jin and Sui and Tang Dynasties to the Song, Yuan, Ming and Qing Dynasties is a gradual process, this process is also the process of secularization of religious art, it can be said that the improvement of Guan Yu religious culture Reflected in the integration with the secular culture. Guan Yu in the water and land painting is like a precious image material of this phenomenon and deserves our in-depth study and protection.