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五、疾笔和涩笔汉代著名书法家蔡邕说:“书有二法,一曰疾,二曰涩。得疾涩二法,书妙尽矣。”1.疾笔和涩笔的含义疾,疾势。疾笔,系指笔势轻捷爽利,写出来的笔画爽利刚健。隶书是为了适应快速书写的需要从篆书演变而来的,它将篆书缓慢的行笔变为短速的奋笔,以疾取势,以疾生势,行笔力求摆脱迟缓拖沓。但是,“疾笔”并非一味简单地图快,仍须起伏行笔;一味图快,留不住墨,势必造成笔画无骨无肉,轻浮失态。涩,即涩势。涩笔,系指用笔的迟重和稳健,行笔时以逆势而涩进,
Five, pen and astringent pen Han Dynasty famous calligrapher Cai Yong said: “book has two methods, one said disease, two said astringent. The meaning of disease, disease. Pen, refers to the quick and easy gesture Gently, written strokes refreshing healthy. Lishu is to adapt to the needs of rapid writing evolved from the seal script, it will slow line of the seal script into a rapid strokes, to take advantage of the situation, to promote the situation, the pen and strive to get rid of slow procrastination. However, ”Pen " is not blindly simple map fast, still need to ups and downs; blindly blind, unable to retain ink, is bound to cause the strokes to be boneless, frivolous. Astringent, that is astringent. Astringent pen, refers to the use of pen late and steady, when the pen to contrarian and astringent,