近几年,随着博览会在全国各地的频繁亮相,引起了艺术各界人士的广泛关注。博览会在一路的赞扬与骂声中摸爬滚打,其面临的两难处境,一直使这样一个展卖方式处于市场的尴尬境地。称赞者认为,博览会终于使中国的艺术家看到了市场黎明的曙光;谩骂者认为,博览会更像一个扯起艺术大旗的伪艺术品地摊,它对艺术市场不具备建构性与推动性,早该下课了。 In recent years, with the frequent appearances of the Expo in various parts of the country, it has aroused widespread concern of people from all walks of life. Fair in the way of acclaim and condemning fought, the dilemma it faces, has been such a way to sell the market in an awkward position. Complimentors argue that the expo finally enabled Chinese artists to see the dawn of the dawn of the market; abetters argue that the expo is more like a stall of fake art with an uproar in its art, which is not constructive and impetus to the art market. class has ended.