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一、资料来源 日本遣唐使准判官藤原贞敏(公元807——867)以砂金二百两拜长安刘二郎为师,学习琵琶达四年之久(公元834——838),並娶刘二郎之女(善弹琴、筝)为妻;临行,刘二郎赠谱数十卷,益赠琵琶两架,名曰“玄象”、“青山”;至扬州,贞敏又向八十五岁的琵琶博士廉承武(十郎学习了二十三天(公元838·9·7——9·29),得其赠谱《琵琶诸调子品》一卷,贞敏转抄並加自跋,留存至今,此即日本宫内厅书陵部所藏之《开成琵琶谱》。贞敏于839年回国,成为日本琵琶音乐之一代宗祖。
I. Sources of Information The Japanese petitioner Datukanji Fujiwara (AD 807-867) studied the pipa for a period of four years (AD 834-838) with two hundred and twelve plaques of gold, and marries Liu Erlang Female (good playing piano, Zheng) wife; Pro, Liu Erlang gift dozens of volumes, benefits Pipa gift two, called “mysterious image”, “Aoyama”; to Yangzhou, Zhen Min to eighty-five-year-old Dr. Pipa Liancheng Wu (Juro studied twenty-three days (AD 838.9-7--9.29, get his gift spectrum, “Pipa all kinds of notes,” a volume, Zhen Min transcribed and added since Postscript, retained So far, this is the Japanese palace hall Shiling Department of possession of the “opened into the pipa spectrum.” Zhenmin returned in 839 to become Japan’s Pipa music generation ancestor.