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本期主题“谈艺术的精神缺失”
编者按：当下的审美世界，是一个多元的世界，现当代艺术已经脱离了经典的美学范畴，然而多元化不意味着艺术价值的缺失。目前，雕塑艺术中对于艺术与非艺术、艺术的价值判断、赏析的态度等存在一定的模糊认识。鉴于此，为了厘清思路，建构新的价值评判体系，《雕塑》杂志自2008年第1期起，将陆续刊发这一类的批评文章。在本期栏目中，理论家、评论家孙振华、王林、翁剑青、滕小松、宋伟光，雕塑家项金国、何力平就此展开了讨论，他们分别从现当代雕塑艺术的价值思考，个体与公共性、赏析态度、何为艺术作品以及寻找精神家园等不同方面对这一主题进行了阐释，今刊发以期引起广泛关注。
This issue’s theme: The Lost spirit of Art
Editor’s note: Currently, the aesthetic world is a pluralistic world. Contemporary art has freed itself from the classical aesthetic category, but diversity does not mean that the loss of artistic value. At present, the judgment of art and non-art, the art value, the appreciation attitude of the sculpture art is out of focus. In view of this, in order to clarify ideas, to construct new value evaluation system, "sculpture" magazine will publish this type of critical articles since issue No. 1, 2008. This issue’s theme is “The Lost spirit of Art". In this column, theorist
编者按：当下的审美世界，是一个多元的世界，现当代艺术已经脱离了经典的美学范畴，然而多元化不意味着艺术价值的缺失。目前，雕塑艺术中对于艺术与非艺术、艺术的价值判断、赏析的态度等存在一定的模糊认识。鉴于此，为了厘清思路，建构新的价值评判体系，《雕塑》杂志自2008年第1期起，将陆续刊发这一类的批评文章。在本期栏目中，理论家、评论家孙振华、王林、翁剑青、滕小松、宋伟光，雕塑家项金国、何力平就此展开了讨论，他们分别从现当代雕塑艺术的价值思考，个体与公共性、赏析态度、何为艺术作品以及寻找精神家园等不同方面对这一主题进行了阐释，今刊发以期引起广泛关注。
This issue’s theme: The Lost spirit of Art
Editor’s note: Currently, the aesthetic world is a pluralistic world. Contemporary art has freed itself from the classical aesthetic category, but diversity does not mean that the loss of artistic value. At present, the judgment of art and non-art, the art value, the appreciation attitude of the sculpture art is out of focus. In view of this, in order to clarify ideas, to construct new value evaluation system, "sculpture" magazine will publish this type of critical articles since issue No. 1, 2008. This issue’s theme is “The Lost spirit of Art". In this column, theorist