邹红的《曹禺剧作散论》超越了以往传统的仅注重分析曹禺作品中的人物心理活动的意识层与作品中人物心理活动的潜意识层的批评模式,在马克思主义文艺观的指导下,借鉴了接受美学方法和批判地吸纳了弗洛伊德的精神分析法研究曹禺的剧作,阐述了深层心理、行为动机与作家本人的人格心理、情感生活的联系,即心理分析的第二层次,从而更好地解读了曹禺的剧作。 Zou Hong’s “Cao Yu Drama Dissemination” surpassed the traditional mode of criticism that focused only on the conscious layers of the characters ’mental activities in Cao Yu’s works and the subconscious layers of the characters’ psychological activities in his works. Under the guidance of the Marxist literary concept, Draws lessons from the aesthetical method and critically absorbed psychoanalysis of Cao Yu Cao Yu’s psychoanalysis elaborated the deep psychology, the behavioral motivation and the writer’s personality psychology, emotional life, the second level of psychological analysis , So as to better interpret Cao Yu’s play.