南北方山水画在技巧、风格上的差异,我认为在五六十年代,北方的山水画太过注重于笔墨,皴、擦、点、染面面俱到。我记得以前看了北方的一位老画家的画,叫什么名字记不清了,画的是乌江,用很粗的笔画一块大石头,但整个画没有气势,画面里多是空的,太小气。小气的毛病在哪儿呢?他不是拿笔墨的变化来处理景物,光用一支大笔来勾一个石头的框子就算了,这不行,是站不住的。其实还是要用小笔一笔笔地画出来才好。这张画说起来是乌江,西南那里的山,但看起来小气得不得了,可惜现在手里没有此画,如有的话可以看看。他这些画包括当时北方几位老画家的画都是受老的技 In the fifties and sixties, the landscape painting in the north is too focused on ink, brush, rub, point and dye. I remember reading a picture of an old painter in the north before memorizing what the name is. The painting is on the Wujiang River, with a large stone with very thick strokes. However, the whole painting is imposing and the picture is mostly empty. stingy. Where is stingy? He is not to take the changes of ink and brush to deal with the scene, just use a lot of money to hook a stone frame even, and this does not work, can not stand. In fact, it is still necessary to use a small pen to draw it. This picture is a mountain in the Wujiang River and southwest China, but it looks like a very nifty one. However, it is a pity that you do not have this painting in your hands. His paintings, including the drawings of several old northern artists at the time, were all old techniques