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法国作曲家梅西昂(Clivier Messiaen,1908-1992)一生只写过《阿西西的圣方济各》一部歌剧,因此特别令人期待。作品融入了作曲家一贯的宗教观及哲学思想,合成了多种音乐-戏剧形式——如歌剧、清唱剧、神秘剧、基督会剧等。本文着重从选题意义、宗教思想倾向以及作曲家与作品的关系这几方面来进行解析,试说明梅西昂凭借着音乐语言的构筑、渗透,希望实现一个与圣人的同步凯旋过程。
It is particularly anticipated that the French composer Clivier Messiaen (1908-1992) wrote only one opera “Saint Francis of Assisi” throughout her life. The work incorporates the composers’ consistent religious and philosophical ideas and synthesizes a variety of musical-theater forms-opera, oratorio, mystery drama, and Christian drama. This paper focuses on the analysis of the significance of the topic, the tendency of religious thoughts and the relationship between the composers and the works, trying to illustrate that with the construction and infiltration of the musical language, Messi hopes to achieve a process of triumphant synopsis with saints.