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本文从西洋歌剧的经典参照、民族歌剧的经验参考、新兴音乐剧的成功参鉴为理论视角,对其历史和经验进行总结。力图为我国歌剧创作提供理论与实践的双重参照。
This article summarizes its history and experience from the perspectives of classic opera in Western operas, reference to the experience of national operas and successful reference to emerging musicals. Trying hard to provide double reference of theory and practice for Chinese opera creation.