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当代对于包世臣的研究以其书学思想居多,对其技法理论的探析则较少。包世臣向来被认为有扬碑而学帖、碑眼看帖、推崇铺毫而轻视裹毫等问题,但其依然承袭着乾嘉年间书坛的重“法”观念。文章从包世臣“逆入平出”这一技法论的剖析,引申出包氏在注重法度的基础上体现出书法艺术技巧的美学辩证性,从而说明技法与审美二者互为依存的紧密关系。
The contemporary research on Bao Shichen is mostly based on his book study theory, but less on its technical theory. Bao Shichen has always been thought of as a monument to learning, prayer and opinion, praising and neglect, but it still inherits the concept of “law” in the books of calligraphy in Qianghua period. From the analysis of Bao Shichen’s theory of “Inverse into Ping”, this essay expounds the aesthetic dialectics of the calligraphic artistry reflected by Bauhinia on the basis of the emphasis on the testimonies, which shows that both the technique and the aesthetic depend on each other Close relationship.