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在时代钟声的轰鸣中,裹挟在世界电影大潮中的中国电影迈进了21世纪百亿元票房的里程。伴随电影创作的强势发展,中国电影研究与批评也以持续繁荣的姿态顺利推进,批评文字数量激增、批评名家辈出、批评流派多样、研究方法丰富,理论阐释个性与操作规则也更为自主、独立。总的来说,中国电影理论受西方文艺理论的影响最为巨大,这其中既有在时间上直接对应的西方现代电影理论的横向影响,亦有呈异时对应关系、时间跨度约数十年之隔的西方近代文艺理论的纵向影响。
In the roar of the bell of the times, the Chinese film that is clinging to the global film tide has marched into the billions of box-office mileage in the 21st century. With the strong development of film creation, Chinese film research and criticism have also been smoothly progressed in a sustained and prosperous manner. The number of criticisms has surged, the criticism of famous writers has emerged, the schools of criticism have varied styles, the methods of research have been varied, and the theories have interpreted individuality and rules of operation more autonomously and independently . In general, the theory of Chinese film is most influenced by Western literary theory. This includes both the horizontal influence of western modern film theory that directly corresponds in time and the corresponding relationship at the same time and with a time span of about several decades The Vertical Influence of Western Modern Theory of Literature and Art.