论文部分内容阅读
节奏在通过自身的不断反复获得建筑式、组合式的力量。只有这种反复才能在它们的进行和相互间各种各样的关系中,认识这种我们称为动机的最小的音乐思想。宏观的节奏特点贯穿整个作品的某个节奏的各种形式的重新出现,是节奏动机的再现、变形或展开。
Rhythm through its own constantly repeated architectural and modular power. Only this iteration can we recognize this minimal musical thought we call motivation in their conduct and in the various relationships with one another. Macroscopic rhythmic features reappear in various forms throughout a certain rhythm of the work and are a reproduction, deformation or expansion of rhythm motivation.