论文部分内容阅读
敦煌壁画作为我国艺术宝库中华丽的篇章,以其独特的艺术价值和文化价值吸引着世界各地游客的目光。敦煌壁画始于十六国时期,尤其以莫高窟的佛教题材壁画最具代表性,古代工匠不仅适应于本土化的佛教题材创作,更是将宗教信仰和创新精神融入其中,让壁画作品具有更加强大的视觉冲击力。鉴于此,本文就敦煌壁画的艺术形态展开详细的分析,并提出相应思路,以供广大读者借鉴。
Dunhuang murals as the gorgeous chapter in the treasure house of our country, with its unique artistic value and cultural value, has attracted the attention of tourists from all over the world. Dunhuang murals began in the period of the Sixteen Kingdoms period, especially in the murals of Mogao Grottoes the most representative murals, the ancient craftsmen not only adapted to the localization of Buddhist theme creation, but also to religious beliefs and innovative spirit into them, so murals have More powerful visual impact. In view of this, this article analyzes the artistic form of Dunhuang murals in detail and puts forward corresponding ideas for reference of readers.